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eBooks

eBooks

Show #16 The newest IndieBookMan Show is here, and it's the probably the most informative show we have done to date. This week we are talking about eBooks - and ...

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Libraries

Libraries

The IndieBookMan Show is back again, and this week we are talking about libraries. Throughout much of civilization, libraries have served as the repository of human knowledge. Today, public libraries ...

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Why Indie Publishing is Relevant

Why Indie Publishing is Relevant

The following first appeared as an editorial piece in the first installment of The IndieBookMan Show, The 101. If you would like to hear it in all of its ...

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The Question of Success

I had yet another 'Men of a Certain Age' moment in a great conversation last night with the IndieBookman himself, Brad Grochowski.  We spent a good portion of the time discussing ...

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The IndieBookMan Radio Show is dead.  Long live The IndieBookMan Radio Show!

The IndieBookMan Radio Show is dead. Long live The IndieBookMan Radio Show!

Well, it's official and formal. For various reasons, Umbrella Radio - who up until now has housed and produced and aired The IndieBookMan Radio Show - has ended all ...

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A note from Pablo D’Stair on his new novella:
this letter to Norman Court is a novella consisting of 22 sections (each around 1250 words) I am releasing by way of serializing the piece across blogs, by reader request.  A little hub site is set up at www.normancourt.wordpress.com that has a listing of the blogs that have featured or will feature sections—please give it a look, get yourself all caught up if the below piques your interest.

It is my simple hope to use this as a casual, unobtrusive way to release this material to parties interested.  As of now the 22 slots have all been requested (cheers to everyone for that) but if you enjoy what you read please do get in touch with me via unburiedcomments@gmail.com.  I welcome any and all comments on the piece (positive, negative, or ambivalent) or general correspondence about matters literary.

Cheers,

Pablo D’Stair

this letter to Norman Court

Pablo D’Stair

thirteen

Spent the start of the day with checking out of my room, getting directions from the desk clerk to a storage place few blocks down, renting out a small storage unit, like half a closet, bit heavier in cost than a bus station locker but I couldn’t make myself easy with one of those.  Didn’t want to have to come back any time soon, so took out eight hundred dollars to get me by, told myself consider it all I had in the world and treat it accordingly, tracked down a commuter train got me well away by nightfall and took out a room a motel advertised weekly rates made the seven days equivalent to three nights regular, parking lot lined with tractor trailers and vans, place just down from a freeway entrance.

I walked to the end of the line of strip malls—mile, mile-and-a-half of nothing but them—bought myself a squat bottle of vodka someplace as I went, kept on a bit further getting myself warm with it, smoking cigarettes from fingers I couldn’t feel. Eventually I settled on a particular public telephone, out in front between a veterinarian office and a shoe store some shopping center closed down for the night, already.  Took my time arranging the coins I’d broke a ten for, set them on the shelf there used to a phonebook someone’d made off with for whatever reason. Took another swallow, dropped the coins down and dialed the numbers out.

Few rings in, guy answered I could tell he was in someplace public but could tell also that as soon as I’d said You left this number for me he’d excused himself, was moving out away from whoever he was with, sounded like in a restaurant.

-Trevor, he said, getting his breath, well there you are, was worried you wouldn’t get my number.

I knew who he was and more or less where, knew he was standing outside someplace just as cold as where I was, easy to picture. I hated he knew my name, or that he’d said it, anyway, obviously he knew it.

-Thought we’d settled on we weren’t seeing each other again, ever, now it’s been what a fortnight?

He laughed, a chuckle I could tell was out his nose, he must’ve been lighting a cigarette his own which reminded me to take a tap off mine before it went cold.

-That’s funny and you’re right, you’re right.  Though we’re not really seeing each other, right?  I don’t think really we’re going to ever have to, we just need to find out some way for you to pay me the money it seems you owe me.

I’d taken a mouth of vodka he’d been talking, took my time swallowing, the rise of what I’d downed before getting me loose, rocking while I spoke, uneven from on my toes, flat, on my heels.

-I owe you money now’s how you’ve figured it out?  That’s interesting.  Don’t have a math book on me, but counting things off my fingers I don’t come up with how that’s supposed to work out.

I’d emphatically raised my middle finger while rambling this out, really amused with myself, leaned against the brick and had another swallow, deciding not to bother with starting up another cigarette.

-Terrible thing’s happened, Trevor, unfortunately something though that we have to act accordingly about—not to say it wasn’t something’d crossed my mind was a possibility, though can’t say it was exactly expected—it seems Herman got bent out of shape with things so much he decided he’d go and shove a bullet right out through the top of his head.

I smiled, rubbing my neck, reached to the phone top to take my bottle back up from where I’d set it, surprised it had maybe just one more tilt left in it.

-That’s really quite a thing, something else, I guess, though like you say it’s not outside the realm of what to’ve expected might go happening someone reads a letter wrote all in detail like that and all the time it’s their own wife’s the one who wrote it.

-You’re absolutely right. Like I said, it had occurred to me, couldn’t say the news was so surprising to me, but what I must say did give me a bit of a startle was that Herman went ahead beforehand and shoved four other bullets right into Klia while she was relaxing in her evening bath.

I tapped my forehead on the side on the phone enclosure, closed my eyes hard enough I heard a kind of rumble in my ears, got the screw cap off the bottle with one hand, heard it hit the cement, swallowed what was left inside, looked at the empty a moment before dropping it, giving it a gentle kick out down the curb into the lot.

-That is pretty terrible, I see what you mean there. Though seems it doesn’t keep you feeling just tickled pink with yourself, the whole thing, right?  Same time, too, interesting all as it is, seems beside the point to I owe you some money, doesn’t it?

There was lengthy pause, maybe him finishing his cigarette, maybe waiting while someone passed.

-Trevor, just what is it you think you’ve been doing?

-Don’t see why I’d feel like answering you that, man—you want to know about doing things, go do them.

That gave him a kick or else he was good at fake laughing, really seemed I’d put a smile on his face.

-I honestly don’t think I’d even know how to begin doing things, not as industriously as you, for sure.  And look, not wanting to keep you on the phone too long and I’ve got to get back in here a minute—way it turns out is that what sounds pretty open and shut about Herman and his wife, one minute, gets complicated just the next when someone gets in touch with the police, thinks there might be more to the two of them going dead than appearances would indicate.

I didn’t want to listen, didn’t care, didn’t respond and he let it keep silent just long enough I got a beat breath out my nose before he went on to where I already knew it was he was driving.

-Guy named Norman Court, you might’ve heard of him, he seems to be convinced that someone blackmailed Klia off a couple thousand dollars, then did the same to him, on top, and so now that’s got everyone trying to be clever thinking Why would someone go and do that? and Isn’t it funny that’d be something happens right before this other thing?

-Yeah, yeah I said, rolling my head around my neck, as fascinating as all that is and of course we both know that you know it was me bled them off some money, that’s money not one bit of it is coming to you so I’m going to tell you just it’s been great chatting but then I think it’s time we say Goodnight.

-Trevor, you hang up and we haven’t decided to get square on this—where, when, and to what dollar amount—it is not going to go nice for you and I’m being missed at dinner so let’s get these finer points sorted out.

I hung up, vodka hitting me I’d not’ve said much coherent I had kept on the line, got around a corner and just couldn’t manage getting a cigarette lit up for my fingers, the steady pinch of breeze to the night.

Heard the payphone back behind me ringing, perked up, made my way back to it and took back the coins I’d set on the shelf, shoved them in my coat pocket, watched the receiver as the ring groaned, sounded like frozen tin cans clattering in a bag.

Felt soft and feverish, my palms actually hot, didn’t seem to be sweating when I touched them, just hot, points of heat all through me from the alcohol, I supposed.  Phone had stopped ringing, didn’t start again. I picked up the receiver, hummed along with the dial tone under my breath a second, set it down.

Pablo D’Stair is a writer of novels, shorts stories, and essays.  Founder of Brown Paper Publishing (which is closing its doors in 2012) and co-founder of KUBOA (an independent press launching July 2011) he also conducts the book-length dialogue series Predicate.  His four existential noir novellas (Kaspar Traulhaine, approximate; i poisoned you; twelve ELEVEN thirteen; man standing behind) will be re-issued through KUBOA as individual novella and in the collection they say the owl was a baker’s daughter: four existential noirs.

IndieBookMan Exclusive — Listen to Pablo D’Stair read chapter 13 of this letter to Norman Court:




We just launched the latest IndieBookMan Show… and I’m pretty proud of it.

This week we are talking about ebooks, and I got to interview Mario Armstrong (one of the nicest people I have ever interviewed!) and Brian Felson of BookBaby – who was also really nice, and is the CEO of BookBaby, which is a spinoff of CDBaby, which was founded by a personal hero of mine, Derek Sivers, and which also greatly inspired my AuthorsBookshop.com website (which, it must be said is doomed in part because of BookBaby, but that is a different post and I hold no grudge!)

So really, you should give it a listen.  You can find it here: http://indiebookman.com/2011/05/ebooks.html

So, I’ve spent a lot of time over the past month producing the show – developing it, scripting it, scheduling and doing the interviews, editing, and now getting it up and promoting it… and all of it has revolved around ebooks.  I got a lot of my own thoughts out, and got to dig deep into the thoughts of some pretty smart people.

All about ebooks.

Now, let it be said that a year ago, I was anti-ebook.   I new they were the future, but I also knew they were going to force me to shift my relationship with books and reading.  I also knew it meant learning a whole bunch of new stuff and either the end – or requiring some sort of rebirth of – AuthorsBookshop.com (turned out to be the end, but again, thats another post and again, I bear no grudge!)

But things have changed and I have become really excited about ebooks.  I wasn’t able to really come right out and say this in the show, but I think ebooks ARE the future, and I think they are good for writers and publishers.

Why?  Wehehell, let me explain;

  1. They make reading sexy again.  Suddenly, it’s hip to be reading on the train.  I always thought it was, but I am weird.  Now hipsters, buisnessmen and gramma’s are ALL getting in on the transpo-lit action (that means they are reading on the subway.  I just made that word up so don’t feel bad if you had no idea what I was talking about) and they all look and feel up-to-date and with it.  By reading.  Can I let that sink in for a moment?  They are looking cool because they are reading.  Yay for the world.
  2. They make reading fun again.  Reading has become gadgetized.  We are a Gadget Nation, and if it’s not gadgetized we don’t want it.  If it is we do because gadgets are fun.  We love dicking around with them, we love syncing them, we love charging them, we love plugging them into our cars, we love updating them… we even love replacing them.  Reading has suddenly been initiated into the gadgetized world, just as music and movies have been.
  3. They make reading easier.  You can take your whole damn library with you.  No matter what mood you are in when you are waiting for the train, you will have something to read.  One book or another to peck away at.  Reading really does become much more like music… listen to what you are in the mood for, read what you are in the mood for.  Imagine if you could only carry around one album at a time?  We wouldn’t stand for that.  In a few years, neither will we with what we read.
  4. They will get us to buy more books.  We are not only a Gadget Nation, we are an Impulse Buy Nation.  If we hear or see or read a bit of something we like, if we can buy it NOW and have it downloaded directly to our device, we will do it.  More books will be purchased in the next 5 years than have been purchased in the past 15.  But they will be digital.

So, how is this a bad time for books?  Or reading?  Or writers?  Or publishers?  Suddenly, reading is a Thing We Do.  All over the place.  We are reading more, buying more.

All good for authors.

So, that’s all well and good.  But… I have a little problem.  For all my new-found love of the ebook, I still don’t have an ebook reader.

Wuh-huh?

It’s true.  The $150 bucks (really, that’s all?  And they are getting cheaper!) i’d need to nab me a kindle has been frustratingly elusive.  I would by my kid the new bike before I would buy myself another widget, for example.

So, I will sit, enthusiastically, on the sidelines cheering you all on as you read away on your kindles, your nooks, your iPads… at least for a few months.  But see, I AM the IndieBookMan.  It is, I believe, incumbent upon me to Get With It. Sooo hang on, ill be right there with you soon.  You know, I’m savin’ up!


--
By Brad Grochowski
Brad is the IndieBookMan. He is the founder and owner of AuthorsBookshop.com, and his book is The Secret Weakness of Dragons.





Show #16

The newest IndieBookMan Show is here, and it’s the probably the most informative show we have done to date. This week we are talking about eBooks – and who isn’t talking about eBooks these days?

But how is the eBook revolution effecting readers, writers and publishers? In other words… how is this new technology going to effect you?

We delve into that very question and more this week as we look at the quickly developing world of eBooks.

In this show we talk to:

  • Mario Armstrong, Digital Lifestyle Expert and radio show host. Mario weighs in with his astute thoughts on the technical impact of ebooks.
  • Brian Felson is the President of BookBaby. This new service will get your book on all the various ebook platforms, and Brian shares his thoughts on how ebooks are going to change the publishing and sales of books.
  • Deborah Emin runs Sullivan Street Press – a successful indie that has decided to publish eBooks and only eBooks. How has this decision impacted their business, and the authors that they publish?
  • We call Kindle owner and lover Rob Carlson to find out why he is so excited about this ubiquitous eBook reading device.

Special thanks to Monopoli and Persona for the use of their music this week.
Also, a huge thank you to our friends at The Inverse Delirium podcast for producing the opening segment for this weeks show.

The IndieBookMan Show is a member of the Baltimore Podcasting Network.

Thanks, and please enjoy show #16, eBooks:




Show #15

We wanted to try something a little different this week. As you know, we interview a lot of people for the show – from self published authors to international heroes of indie publishing.

We run a pretty tight editing ship, and an interview that may appear to be under 5 minutes is usually the result of a much longer conversation. A lot gets left on the cutting room floor, as they say.

But a lot of what gets cut out is good, interesting and really informative stuff so… we want, from time to time, to bring you extended versions of these interviews so that you get the benefit of the entire conversation.

We start this week with my call to Pablo D’Stair who we featured in our most recent show “Give It Away.”

Pablo is an author and publisher and, really, a philosopher of book marketing. I think you will hear what I mean.

He has some really great, deep thoughts about book marketing… and we couldn’t fit them all into the show but I think you are going to like hearing the rest of what he had to say.

So here we are, with my extended, unedited interview with Pablo D’stair.




Show #14

This week, we talk about Giving It Away! “It” being your book. Many publishers and authors are giving their books away these days. Why would they do that? We were confused too, so we wanted to find out!

Why are they doing it, and is it something that would work for you? Find out this week as:

  • We talk to Christophe Casamassima of Furniture Press about his PO25¢EM project. He leaves little books of poetry all over the world, free for anyone to pick up and enjoy.
  • Pablo D’Stair of Brown Paper Publishing explains how he is using the “Give it Away” model to build brand recognition and relationships with his readers
  • We hear from Neil Gaiman explaining how free ebooks improved his sales… and why he views piracy as a good thing.
  • And then to get a practical perspective we talk to indie book marketing guru Shel Horowitz to see what he thinks about giving books away. Is it a good idea, or a big mistake?

There is a lot going on in this show. Even if you don’t decide to give your book away, we hope you are at least inspired to think of new ways to reach out to your audience.

Special thanks for music thisweek from Persona.

Coming soon, our 15th episode, “eBooks.” We are going to find out what all the fuss is about, and how you can get on board with your book.

And now, please enjoy Give It Away:




Show #13

Join the IndieBookMan this week as we take a journey along the Paths to Publishing.

It’s an exciting time in the world of publishing! Never have there been so many options for getting a book into print. From the giant traditional publishing houses, to indie publishers, to self-publishing and ebooks and more, there are now so many ways to publish a book that it can be really confusing! How do you decide which is right for you? Which is right for your book? And how do you get started once you have picked the path you want to walk?

Well, we are going to help you sort all that out with this week’s show, “Paths to Publishing”.

  • Sean and Brad get lost on the way to conduct an interview with Steve Jobs.
  • Indie publishing marketing guru John Kremer lays out all of the options for us, with a little advice on each of the various paths.
  • Kerry Dunnington, author of This Book Cooks shares her experience with subsidy publishing via ExLibris.
  • Angelo Solera, owner of Solera Press, talks to us about “true” self-publishing, and how it has worked for him.
  • And Victor Volkman, owner of Loving Healing Press – a thriving indie press based in Ann Arbor Michigan – talks to us about that path.
  • Finally, in our weekly call to Karl Brown, Karl tells us which path he would choose, and why.

It’s a chock-full show, and I hope you find it informative and helpful as you choose your own Path to Publishing.

Special thanks this week to Sudara of RamenMusic.com for the use of his music.
Also to Geoffrey Welchman of The Inverse Delirium for the use of his song “Freddie’s Lament” in the opening sketch.

We will be back on April 20th with our 14th episode, “Give it Away.” We will be talking about giving your book away – why in the heck would you want to do that?!?! We’ll find out.

And now, please enjoy Paths to Publishing:




Show #12

This week on the IndieBookMan Show, we are talking about Your Website.

Well, maybe not your website specifically, but what your website should be… could be. What should your bookselling website include? What shouldn’t it? What will make it dynamic, exciting and easy to manage? What is a “Joomla?”

Hear answers to these questions and more as:

  • Our friends at Inverse Delirium teach us about the “birds and the bees” of websites
  • We speak with Ryan Ozimek, president of Open Source Matters – the folks who bring us Joomla! How can you use it to create an inexpensive website that looks amazing and is easy to maintain? And… what is a Joomla!, anyway?
  • We pick the brains of 3 web professionals, folks who make a living creating websites that sing:
  • And Karl Brown shares his Top 5 Most Annoying Things On Your Website.

Special thanks this week to Crane Under Water for the use of their music.

We will be back on April 6th with our lucky 13th episode, “Paths to Publishing.” How are you going to publish your book? Let us count the ways!

And now, please enjoy Your Website:




21
Mar

Ok, here is what you do. You print this and post it up by your computer. Anytime you read about ebook publishing, you watch for the statements. When you get bingo, you win!

Truthfully, you would probably fill your card up pretty fast hanging around The IndieBookMan Show and blog… because many of these arguments can be made about indie publishing as well.

And I know it’s meant to be snarky – but many of the points made on the card actually are valid. No matter how “tired” they may be.

The Epublishing Bingo card was created by John Scalzi


--
By Brad Grochowski
Brad is the IndieBookMan. He is the founder and owner of AuthorsBookshop.com, and his book is The Secret Weakness of Dragons.





Show #11

This week on the IndieBookMan Show, we are talking about publishing poetry.

Who reads poetry? Who buys books of poetry? Who is crazy enough to write and sell books of poetry? Actually, you may be surprised. Hang out with us this week as we look at poetry, and different ways of publishing it. We also ask – what is the state of publishing poetry today? You will also get some great advice if you are a poet, and looking to publish.

Listen in as:

  • Sean tries to sneak a haiku into the show.
  • We have a talk with Marc Beaudin, who has been self-publishing and successfully selling his poetry in chapbooks, as well as full-length book of of poetry called, “The Moon Cracks Open.”
  • Christophe Casamassima of Furniture Press is back, and tells about about a crazy scheme where he leaves published poetry laying around in public, for anyone to pick up and enjoy.
  • We then speak with former Maryland Poet Laureate Michael Collier. He shares some really insightful thoughts on poetry, and gives some of the best advice you could ask for if you are looking to publish.
  • And then we close things out with our weekly call to Karl Brown. I’m not going to tell you what we get from him this week, but let me just say this: He bares his soul. Karl Brown bares his very soul.
  • Special thanks this week to Sudara of RamenMusic.com for the use of his music.

    We will be back on March 23rd with our 12th episode, “Your Website” We will look at what you could – and maybe even should – be doing with your website to maximize your books sales.

    And now, please enjoy Publishing Poetry:




The IndieBookMan Show returns this week with a look at Guerrilla Marketing.

Join us as we look at setting aside the traditional marketing strategies of ad buys and focus groups, and instead harness the blood, sweat and tears of good old-fashioned, do-it-yourself guerrilla marketing. Get attention for you book, and get it for free with the techniques we explore this week.

Listen in as:

  • Brad and Sean head to the Congo to observe first hand how a band of guerrillas… er… gorillas do their marketing.
  • We speak with Ron Tanner, author of Kiss Me Stranger, about his Presidential Toffee Sweet Sneak Attack.
  • Then we speak to a few authors about their experiences with non-traditional marketing:

    Each weighs in on how guerrilla marketing has worked for them

  • We then speak with Indie publishing marketing guru John Kremer, to get his take on guerrilla vs. traditional marketing. We also discuss crashing airplanes in red square, going to jail and lying to Oprah.
  • And finally, we Call Karl Brown… and things get a little shocking when he brings up something about Paula Abdul naked in a video.
  • On top of all that, Sean pulls out all the stops on the production of the show – bringing in more music and audio effects than ever before. All of this makes our Guerrilla Marketing episode one you do not want to miss.

    Special thanks this week to Kenobi for the use of their music.

    We will be off again next week, but back on March 16th with our 11th episode, “Paths to Publishing.” We will explore the different routes you can follow to get your book published. Also, Sean and Brad get a little lost on a road trip to Steve Job’s house. Make sure you catch us on March 16th for that.

    And now, please enjoy Guerrilla Marketing: